The Mosque of Sheikh Lotfollah Plan Drawing

A native of Lebanese republic, Sheikh Lotfollah came to Islamic republic of iran to seek the patronage of Shah Abbas the Great who, equally a part of the Safavid policy of fostering the Shiite religion, not only encouraged the Sheikh to accept up residence in Islamic republic of iran, but too put him in charge of the Imperial Mosque and a theological school. In Shah Abbas, the venerated Sheikh, in add-on to a patron, found likewise a son-in-police.

The mosque's construction started in 1602. The portal was completed first to be integrated into majestic Naqsh-e jahan Square. The remainder of the structure was finished in 1619. Throughout the Safavid reign, the Sheikh Lotfollah Mosque served as a private chapel for the shah and his harem. For a long time, it was rumored that in that location existed a clandestine passage leading from the harem to the mosque. Archaeological excavations, yet, have proved it to be pure legend.

The layout of the mosque has a very not-Iranian grapheme: it has neither a four-eivan courtyard, nor a minaret. Their absence can exist explained by the fact that the mosque was not ereated as a place of public worship, but was intended exclusively for the shah and his wives. Opposite to usual practice, the entrance 1 is elevated, with a flight of several steps leading to the gate.

The facade of the Sheikh Lotfollah Mosque is quite asymmetrical with respect to the dome. This asymmetry confers upon the masses and volumes of the edifice an interesting liveliness and adds profoundly to the charm of the building's silhouette. The mosque is famous for the moqarnas effect of its portal. The groined vault is completely encrusted with faience mosaic, simply the balance of the building's outside is overlaid with polychrome tiles in excellent blueish and xanthous colors. This is quite a contrast to the Majestic Mosque, where sumptuous mosaic is practical on the portal, while polychrome tiles cover the remaining surfaces.

The building'south plan is simple. Behind the entrance portal, a corridor 2, begins. This narrow, dimly-lit passageway with 3 bends (the first, at 45°, is practically unnoticeable, but is crucial in realigning the mosque from its key orientation on the square toward Mecca) leads to a prayer hall 3,. The tortuous course of this corridor is not due only to the necessity of orienting the building in right direction. Its aim is, beginning and foremost, to create a hit contrast between the oppressive, gloomy narrowness of the approach and the spaciousness of the prayer hall at its finish.

Visitors cannot fail to be staggered by the vast room topped with the most flawless Iranian dome. This dome is extraordinary both in grade and color. Externally, its dominant color is non the usual glittering blue, but an unglazed foam or pinkish, according to the time of twenty-four hour period. Serene at any time, it is at its nearly magical in the rays of the afternoon sun and effectually sunset. The blue shades of classic Safavid fine art appear only on the drum and right at the superlative.

Inside, the tile mosaic forms a golden sun medallion at the ape) of the dome. Though blueish color predominates in the tile work, at that place is an unusual amount of xanthous, and, as in the exterior, there is the flickering dissimilarity between alternating glazed and unglazed tiles.

Both exterior and interior surfaces of the dome behave fine inscriptions in Tholth script made of white mosaic against an azure floral groundwork. These, as well as a portal inscription, are the works of Alireza Abbasi, the famous calligrapher of Shah Abbas's court. The other inscriptions vest to Baqer Banna (the Builder) who was undeservedly overshadowed by the celebrity of the master he had copied. Of these, the virtually remarkable is an Standard arabic verse on the eastern and western sides that lists the 14 infallible people, according to Shiite beliefs. It is attributed to Sheikh Bahai.

The Sheikh Lotfollah is a truly unworldly mosque that heightens the visitor's spirituality rather than distracts him from it. Indeed, it is incommunicable to leave this building unaffected.

Source: Iran gazette

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Source: https://www.tasnimnews.com/en/news/2017/01/24/1305096/sheikh-lotfollah-mosque-the-most-unusual-iranian-religious-structure

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